Humbly Beautiful

          Last weekend, my daughter and I showed at the Eastern Slope reining in Castle Rock.  The judging was very conservative, and my daughter expressed frustration in her ride and her scores.  A teammate, who has been showing for about a year, scored better than she did.  Although she loves her friend dearly, it was with a tearful voice that she asked me, "Why does she score better than I do?"  
          Oh, I was full of answers and platitudes, and when I ran out of those, I gave her all I had left, which was simply a hug.  She echoed the feelings I had been struggling with, for me and for her.  The more I tried, and the more I learned, the less I was rewarded.

The Responsible One

There is a story about the Prodigal Son.  The story goes that there was a family with two sons.  The younger one, the prodigal son, cashed in his inheritance to see the world.  This son had gone out in true grasshopper form, spent all the money, attended all the parties, and was returning home, broke and contrite.  Upon his return home, his father threw a party.
          In the meantime, the older son stayed home.  The older son worked to improve his father's wealth, completing the tasks before him responsibly, timely, and efficiently.  When the father was tired, the older son worked more and sent the father in to drink some lemonade (taking a few liberties with the story here).    The older son learned the business, and worked harder than anyone to keep it going.  
          When the father rejoiced upon the return of the prodigal son, the older son stood in the yard, fists clenched in fury, betrayal, and hurt.  The father eventually came out into the yard and approached the son.  The older son shared his hurt and anger.  "Why do you celebrate the return of the one who discarded us and our love?  Why haven't you thrown a party to celebrate the love I have shown for you?"
          The father's reply was telling.  "You are always with me, and everything I have is yours."
          The older son imposed responsibility upon himself, and created rules for his relationship with his father.  He thought that his good deeds and hard work would earn his father's love.  He completely missed that what he sought so desperately, he already had.

Humility

When I show Sergio, I feel like the older son.  I have prepared for the ride, I have worked hard to earn my place in the pen.  When I am done, I think that my ride is at least as good as another, but I do not get the score to match.  
          I keep thinking that my good works are going to lead to reward.  When they do not, I am bitter and exhausted.  The amount of effort that I have put into being there, riding a technically correct ride, and controlling everything, are the things that cause the ride to lose its shine.
          The problem with showing the horse and being the responsible one is that the result is not pleasing.  Although the ride may be technically correct, it is not beautiful.  We can see that the horse is guided through the pattern, and that the horse can perform the maneuvers.  The rigidity in the rider, the defensiveness of the posture, the tightness of the rein cause us to hesitate.  Where we may have rewarded the maneuver, we detract instead.
          The real sticker to the story is humility.  The older son, in his pride for his good works refused the gift his father had for him every day.  The father said, "What's mine is yours."  The love that the older son sought to earn was already his.
          When we show our horses with humility and a desire to honor the love we have for our horse, the ride becomes not about what we do, but about who we are.  We can say to the world, "I do not deserve this horse, I have not earned this ride, but he is a gift for me.  I am going to enjoy him, and boldly ride him, and know in my heart that I will never, ever earn him, because he is already mine."

Beautiful Gift

Ultimately, that is what the ride is being judged upon.  Although I, as the responsible one, want the ride to be about what we do - a perfect spin, evenly balanced circles - a technically correct ride is not beautiful.

          A beautiful ride showcases the partnership between a rider and a horse.  With confidence, the team sets out to perform each maneuver to the best of their ability.  If a plus half spin is all that team has, but they perform it joyfully, well then, that's a plus half spin all day long.

          I am very intimidated by riding the ride that judges me and not what I do.  I am kidding myself if I believe that the ride is about anything else.  To humbly and exuberantly (can you be both?) step into the pen and perform the maneuvers with Sergio is a fine thing indeed.

          The performance as a team is important, but I can't earn Sergio because he is already mine. 

Not Good Enough

          Riding Sergio fills me with joy, and releases me from the distractions of a body at rest.  He doesn't care about what I accomplished today, or what achievements I have made.  He isn't distracted by the masks that I wear.  He only cares about the time we have together and that I am present and trusting.
          I, however, have higher expectations.  I struggle to ride him the way he should be ridden, to accept what he has to offer, and to bring my share to the team.  He is a such a beautiful, talented horse.  I tell myself that I should be able to show him successfully.
          I want to be in control of the ride, to dictate our speed and direction minutely.  I want to be able to execute every maneuver exactly according to plan.  Unfortunately, my efforts to control change the way I ride, and distort the cues I am giving to him.  Our ride ends up being tentative and discordant, and the judge can see it.  The score reflects the judge's opinion, and my confidence plunges.  When my score is announced, I hear "You are not good enough."
          The message is repeated as my coach gives me advice and feedback on the ride.  "You need to sit back when you stop him (you are not good enough)."
          As I go over my ride, I repeat the message again, "I think I turned him around better, but I got a penalty (I'm still not good enough)."
          This message has been haunting me for most of my life.  When I am in a good place, it's easy to tune out.  When times are difficult, like they are now, the words ring in my ears.  I offer up everything I do for review and approval.  If the response is critical, well, that's to be expected because I. Am. Not. Good. Enough.
Miss Goodie Two Shoes
          Maybe the message originated during my childhood, as a middle child.  My response to a house full of girls was to be the good girl, to get along.  If my older sister struggled with her grades, mine would be A's.  If my younger sister quit her miserable California job and moved back home, I would tough it out and work an awful job.  The problem is that even as I tried my best to do the right thing and to be good, what I longed for was attention.
          Naturally, no one worries about a good girl.  No one lectures her, or encourages her, or tells her she is tough enough to overcome obstacles.  No one rushes in to save her from a disaster, because she never risks having one.  Instead, they leave her alone, because she has it all figured out.  Right?  Although I was good, I was never good enough to receive the praise I craved.
          My older sister recently bought a bottle of wine for me - "Middle Sister Goodie Two Shoes."  She probably wouldn't have if she knew how much it hurt.  The description on the label pierced my heart, because it was true, every word.
The Fire
           One of my favorite quotes from the Wizard of Oz is "Pay no attention to that man behind the curtain!"  That's because I feel like everything I do is a mirage, a carefully constructed play to hide the fact that I am not good enough.
         Riding and showing Sergio is fearful business.  Not because riding him scares me, although sometimes it does.  What is really scary is the possibility of failing.  I am afraid that everyone can see right through the self-controlled masks, right through the good girl, and discover my secret:  I am not good enough for this beautiful horse.
          The whole purpose of showing is to be judged.  I am painfully aware that I am being watched by not only the paid judge, but also my coach (who I have a sinking suspicion already knows my flaws), my friends, and my family.  When I ride in the show pen, I feel as though I am being held up to the light.  As the bright light of my desire shines through me, it reveals all of my flaws.
          This scares the hell out of me.
Don't Give Up
          Showing horses is a hard business.  The rules keep changing, and there's always someone who rides better, has a better horse, or has more money.  The cold, hard truth is that I will never be good enough.  I will never have it all figured out.
          Nobody ever promised me that I would be good at showing horses.  Even so, no matter how sternly I address my heart, I cannot deny the love I have for riding.  To quit is to give up on myself.  Maybe my dreams don't tie to the reality of my ability (or funding).  Without horses, I am lost, and empty.  So for now, I will continue to slog it out, and hope that I can find peace from my good girl, and acceptance that not good enough is still Enough.

Can you see that person dancing in the flames on Sergio?  That's me - dirty, grubby, imperfect me.

I would like to thank Emily Freeman and her book, Grace for the Good Girl, for the inspiration and for the words I just couldn't find.

Captain of My Soul

Saying Goodbye

          I will never forget the look on his face, peering through the stall bars at the National Western Stock Show grounds.  He was always eager to see me, always ready to say “hello” and ready for that day’s adventure.  Today, however, my heart was heavy.  I had just finished giving him a final hug (his forehead pressed against my heart, my arms wrapped around his head).  I turned away, this image of my Squishy burned in my mind.  His ears were perked, his eyes bright and curious.  From his posture, I could tell he was leaning forward, pressed against the stall door.  Perhaps he knew that something was different about this parting.  This time was our forever good-bye.

          Riding a horse for me is more than recreation, more than sport.  It is forging a team, whose communication is through intimate physical contact.  Signals are sent and received in a constant stream, most of them imperceptible to the observer (really, many of them are imperceptible to me as the rider).  In a contract of trust, the rider provides confidence and direction while the horse becomes an extension of the rider.  It takes time to build the relationship, time for the horse and rider to learn to read each other. 

          I originally purchased Squishy in a partnership, as a business venture.  Our goal was to buy a young horse, who would be trained and shown by a professional, and then sell him as a fine derby horse.  When Shane Brown brought him home from Texas, where we had purchased him sight unseen, I admit I was disappointed.  As I led him out of his stall, all I could see was an ordinary brown horse.  I’d been warned that he wasn’t beautiful.  My reply was “beauty is as beauty does.”  But still.  Did he have to be so plain?  Even the name he came with was common to his bloodlines:  Tejon.

          As Shane worked with him, building up his confidence and teaching him how to learn and use his body, Tejon began to bloom.  He was a talented stopper and pretty mover.  He did have a white star and four white socks.  His coat was a reddish sort of bay, so maybe not plain brown.  I stood on the fence, watching him ride, evaluating his strengths and weaknesses from a distance, strictly reminding myself that this was a business venture.

          One day, Shane let me ride him.  Shane had warned me that the horse was short-necked, but from the ground, Tejon was a nicely-formed, balanced horse.  After I settled in the saddle, however, I realized what Shane meant.  Riding him was like riding a cab-over truck, where it felt like the saddle was perched right behind his head.  During that first ride, Tejon kept checking in, wanting to know what I expected of him.  We were both tentative.  My stern reminders of the business side of this were weakening.

          After a time, we (my partner, Shane, and I) came to realize that Tejon just wasn’t cut out to be an open rider-level horse.  Since we had entered him in the big Futurity in Oklahoma, we decided that I would show him in the Nonpro class.  That fall, I rode Tejon as much as possible, in an effort to build our trust contract before we were under the pressure of a show pen.  I threw the business facade out the window and embraced a new relationship.

          For Tejon, having a Nonpro for a rider meant that there were treats, rub downs, long baths, walks in the grass, and time spent exploring the world together.   During that time, Tejon grew into an expressive, interactive horse with a compact build.  Plain ole Tejon just didn’t seem to fit anymore.  So he became Squishy.

          Squishy and I worked hard on our partnership together.  We showed at the Futurity, where we didn’t place, but we didn’t shame ourselves either.  I continued to show him during the following two show seasons.  We had some good classes, and we had some bad ones (one in particular comes to mind where he jumped sideways at the end of every stop).  In the end, we had a great friendship, but we weren’t a team.  Squishy needed someone with confidence and an ability to dominate the ride.  I needed a horse that would forgive my indecision and heal my broken trust from a prior horse.  Like a bad romance, we were both too needy.

          No matter how much fun we had when I was out of the saddle, it was time for each of us to find a new partner.  Very rarely is there a horse and rider team that can grow together, from Rookie to Intermediate and beyond.  More often, a competitor has to be prepared to bring in and let go of several horses during their show career.  Intellectually, I know this.  Emotionally, I have yet to let go of a horse.

          So it came to that fall day in Denver.  His expression on that day is crystal clear in my mind.  He had this way of getting hugs from me by butting his head against my chest.  The hugs always turned to rubs, where he rewarded my efforts with sighs and a blissful expression.  On that day, with my own sigh, I backed out of the stall, pushed his seeking nose back in, and slid the door shut.  At the end of the alley, I looked back, and there he stood.  Both his expression and body reached out to me.

          He trusted me.  In leaving him there, I was breaking that trust, and breaking our bond.  That still hurts my heart and brings tears to my eyes.  Even so, I know that I made the right decision for Squishy and for me.  Squishy found a new vocation with less precision and pressure.  I found a horse exceeding my competitive abilities, but who could wait patiently for my trust.

The Day I Fell Off (A Story about Trust)

          Anyone who has spent any amount of time knows what I’m talking about – falling off.  When I first learned to ride, that’s pretty much what I thought riding was – climbing on, clinging as long as possible, falling off, rinse and repeat.  Literally:  rinse the dirt out of my mouth, climb back on and do it again.  Eventually, falling off got to hurting more, and staying on got to be a goal.  Now that I’m older, falling off hurts A LOT more, and I spend quite a bit of time thinking about staying on. 

          Last spring, I fell off in a big way.  We were riding in the outdoor arena, working on our stops.  If you’ve watched reining, or ridden reining, you know what that’s about.  It’s about running the length of the arena at top speed, and then asking your horse to stop.  If all is right in the world, the horse will tuck his hind legs under and slide to a stop.  Really cool if it’s right.  Really scary if it’s not. 

          On this particular day, we were taking our game to the next level.  I had been going to shows and getting scores of 69.  I wanted 72’s.  To get there, we had to take a risk.  We had to push our maneuvers to the next level, which means going faster, running harder, and trusting more.  That’s what we were doing on that Saturday morning.  I was running him harder to his stops, and he was trying harder in his stops.  Unfortunately, I mistook trying harder for doing more.  I thought that I needed to push more with my body, to sit back farther, to steer with my hand.  Inadvertently, I took away the trust I had with Sergio.  Going slow, I trusted that he could perform the maneuver with me aboard as a passenger.  Going faster, suddenly I was grabbing the steering wheel, pushing the gas pedal and working the clutch.  Sergio was confused.  In fact, he looked back at me a couple of times as if to say, “What are you doing?  I don’t understand this new language you are speaking.”

          The ultimate result was that he came into the ground crooked, his back end slaloming off to the right, his front end jarring into the ground.  I popped up out of the saddle and off to the right.  I had a moment to clutch at the saddle, but all I saw below was dirt.  So I fell off.  It was not pretty.  I left my own slide tracks with my butt and hip.  As I crawled around, alternately pressing my forehead into the dirt in pain and fumbling for my glasses, I wanted to quit.  I was pushed beyond my limit, and scared.  Truly scared, and this is not something I enjoyed one bit.  But I knew that I had to get back on, to try the stop again, and do it quickly before the fear really set in.  I didn’t need to worry about Sergio’s fear, he understands forgiveness, and offers it up most of the time.

          As I climbed back on, knowing I was going to have a beautiful bruise and maybe some swelling, my hands were shaking.  My heart was pounding, my thoughts were racing.  Even as I readied myself to do it again, I was coming up with excuses not to.  Instead, I pointed him to the other end of the pen and kissed.  Or at least I pursed my dry lips together and squeezed my shaking legs.  Sergio took off for the other end of the arena.  As we loped, I told myself that I absolutely had to trust Sergio to do his job.  I had to let go of driving and be the passenger (or I would die).  It worked; we stopped bigger than we had all day.  We quit on that one, but the lesson was learned.

          The tricky thing about trust is that it is easy to give when I am in control.  When Sergio is providing the impulsion, locked in and doing his job, it’s a lot harder to trust.  I noticed, too, that the trust can quietly erode away when we don’t challenge ourselves as a team.  If I get in the habit of riding the maneuvers at home at a medium pace, I lose the trust I have in pushing ourselves to go faster.  Then we are right back in the same situation, I’m trying to drive and he’s sitting in the driver’s seat. 

         The thing about the stop is that you absolutely cannot Flinch.  As you are flying down the length of the arena, you must remain calm.  Your middle must be supple, your legs relaxed, your hand down.  I repeat the words of my coach – your hand down.  No really, you must put your hand down.  If you pick your hand up, it is equivalent to putting your foot on the clutch.  The engine revs but the car slows down.  If you are focused on the end of the arena and your jaw is set, your eyes are up, your body is flowing with the horse, and the pounding of his hooves fill your head … then, whoa.  The horse (who is now one with you) drops out from under you, your body rocks from side to side as he powers to hold on to the ground.  You can hear the friction of his sliders on the arena base, and it is a deep moan that echoes in your chest.  There is no thought at this time, no worry or wonder, and no doubt.  It is simply, “Whoa.”

Competitive Heart

 I once knew a horse who loved to compete.  You could ride him in the warm up pen for hours, but when he entered the show pen, he was a different horse.  He loved the run in patterns best.  I think it was because he could make a big entrance and wow the judges with a huge stop.

         I loved to cheer for him.  I would chuckle as he stood before the gate with his eyes half closed.  He was just waiting, confident that today he would get applause, today the judges would love him, today he would win.  It was so much fun to watch the judges sit up in their chair when he came in.  Here was a horse who wanted to compete, here was a horse who tried hard, here was a horse with heart.
         What is a competitive heart? When looking at horses, can you see it? A competitive heart is hard to define, but easy to spot.  Horses with heart come in all shapes and sizes, but they are the ones that people remember.  They are the ones who overcame odds, who tried the hardest, who never doubted - even when their rider did.  Secretariat, Sea Biscuit, the Black Stallion, and now War Horse; our stories are filled with tales of heart. A horse with heart draws an audience.
Riding a horse with a competitive heart, on the other hand, isn’t as easy as it would seem.  These horses will run until they’re hurt, will give too much, and end up broken.  Their desire to win is greater than the pain they feel.  

Not trying hard enough is equally dangerous.  Holding back a competitive horse by not showing seriously, by showing tentatively, or by making mistakes too often can frustrate the horse.  He will express his frustration in a variety of ways, many of them destructive in the show pen.

"The rider must know when to guide and when to ride."

         A competitive heart requires a bold rider.  The rider must know when to guide and when to ride.  There has to be a trust relationship between the rider and the horse. The rider has to be definite in his actions, and confident. The confidence is important, because the rider has to trust the horse. When it is time to compete, the rider's role is to guide the horse through the maneuvers, and let the horse do the showing.
If you have ever had the opportunity to ride one of these special horses, you understand what I'm talking about. Horses with heart will change you, they will challenge you to be better. They ask us to rise up to their level, to trust their desire, and to be their partner in the win.


What is your story about an extraordinary horse?

Should I Geld Him?

          Sergio (Itsgoodtobeapepto) is a son of Peptoboonsmal out of a big, beautiful daughter of Doc O Lena.  I have owned him for four years, having purchased him from Todd Crawford's place when he was four.
          I am a Nonpro Reiner.  I have been riding and showing reining horses for over 10 years.  After owning a couple of confidence-breaking geldings, riding Sergio was a breath of fresh air.  I enjoyed riding a horse who was interested in my thoughts and opinions only after he checked out the mares in the area.  His confidence has given me confidence.

          He has always been a gentleman, and never so stud-ish that I was afraid.  My twelve-year old daughter has ridden him, and she leads him around safely.  Again, he is always well-behaved, keeping his head down near her and walking quietly to wherever she leads.  Unfortunately, as a stud, my daughter cannot show him.
          He has performed well in the show pen, for both of my trainers and for me.  He has grace and beauty.  He has been shown in cowhorse a handful of times, where he has been a great competitor.  He has won a couple of buckles, and he clearly enjoys it.  He has also done well as a reining competitor.  One of my trainers won the Intermediate Open year end award in our affiliate on him this past year.  The prior year, I won third in the Novice Horse Nonpro division.
          My trainer has advised me to geld him.  He thinks that my daughter would be more competitive if she showed this horse, and he says that if I am not going to breed or promote him, I do not need to own a stallion.  He also thinks that Sergio would be worth more if he were a gelding.
          Sergio's semen have low motility, making shipping it near impossible.  I have attempted to promote him in the past, but I have a full-time job and my trainer has other more successful studs in his barn.  So Sergio's exposure is limited.
          I am in conflict.
          I am afraid to cut him.  The way he is now is wonderful.  He's engaging and fun, he is in beautiful physical shape, and we are competitive in the show pen.  It seems a waste of great bloodlines to take away the opportunity to breed him.  My vet is confident he could settle a mare if the mare were inseminated on site, with fresh semen.
          I am afraid of what he will become and what I will lose if I geld him.
          Does anyone have experience with this?  What is your advice?